Download e-book for iPad: A History of Roman Art (Enhanced Edition) by Fred S. Kleiner

By Fred S. Kleiner

ISBN-10: 0495909874

ISBN-13: 9780495909873

A background OF ROMAN artwork, greater version is a lavishly-illustrated survey of the paintings of Rome and the Roman Empire from the time of Romulus to the demise of Constantine, awarded in its old, political, and social context. This more suitable variation has further insurance on Etruscan paintings at the start of the textual content. All facets of Roman artwork and structure are handled, together with deepest paintings and family structure, the artwork of the japanese and Western provinces, the artwork of freedmen, and the so-called minor arts, together with cameos, silverware, and cash. The ebook is split into 4 parts-Monarchy and Republic, Early Empire, excessive Empire, and overdue Empire-and strains the advance of Roman paintings from its beginnings within the eighth century BCE to the mid fourth century CE, with certain chapters dedicated to Pompeii and Herculaneum, Ostia, funerary and provincial paintings and structure, and the earliest Christian artwork. the unique variation of this article was once warmly obtained out there in line with a excessive point of scholarship, finished contents, and fabulous visuals.

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Additional info for A History of Roman Art (Enhanced Edition)

Sample text

Pollux (Etruscan Pultuce), son of Zeus and twin brother of Castor (Castur), accepted the challenge, won the contest, and then tied the king to a tree. Scholars generally agree that the model for Novios Plautios’s composition was a fourth-century BCE Greek panel painting, perhaps by Kydias, whose depiction of the Argonauts is documented in Rome at a later date. The Greek source for the Etruscan artist’s engraving is evident in the figures seen in three-quarter and rear views, and in the placement of the participants on several levels, standard features of Classical Greek painting since the fifth century.

The tomb boasts one of the best preserved mural schemes at Tarquinia. It takes its name from the two beasts that guard the interior of the tomb from their perch within the pediment of the rear wall. Below, the painters filled the main zone with elegantly dressed reclining couples (the men with dark skin, the women with light skin, conforming to an artistic convention dating to the third millennium BCE in the Near East and Egypt and well established in Greece during the Archaic period). Three couples dine on three couches on the back wall (foreshadowing the triplecouch arrangement standard in Roman dining rooms; see Chapter 3).

Etruscan women did not, for example, exercise naked alongside Etruscan men. But archaeological evidence confirms the accuracy of at least one of his “slurs”: Etruscan women did attend banquets and recline with their husbands on a common couch (Figs. In-12, In-18, In-30, and In-35). Aristotle also remarked on this custom. It was so foreign to the Greeks that it both shocked and frightened them. Only men, boys, slave girls, and prostitutes attended Greek symposia (Fig. In-7). The wives remained at home, excluded from most aspects of public life.

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